CONTINUOUS CONTOUR LINE DRAWING FULL

What chapter did you decide to use for this next piece? What is ONE of the aspects of the theme you feel you will be working through? Open the book and look through the chaptersвЂ¦ What chapter do you feel you MIGHT relate to you the most Based SOLELY on the title of the chapter (may not be fair) вЂ“ and WHY? Art and Fear G: 1.1 Ad: Visualize and hypothesize to generate plans for ideas and directions for creating art and design that can affect social change.ДЄrt and Fear had a lot to offer. Tomorrow вЂ“ Printing Plates and Watercolor Crayons. G: Write out all that you have accomplished today.

CONTINUOUS CONTOUR LINE DRAWING FULL

What struggles do you personally find in the making of a continuous line contour drawing? Two things you are challenged by вЂ“ full sentences. G: 2.1Ac: Through experimentation, practice, and persistence, demonstrate acquisition of skills and knowledge in a chosen art form. Time to work today began with DESCRIPTION вЂ“ was there anything NEW that you saw when you began writing and working today? We do not have a lot of time to work this week butвЂ¦ lots of time use that knowledge in your life. WHAT DO YOU SEE? Take your timeвЂ¦ look at everything you see in the work and write down all that you see. You were asked to begin thinking about the work in front of youвЂ¦ What DO YOU SEE IN YOUR PAINTING? ThatвЂ™s it. (Before you proceed with your final drawing, do several practice drawings on paper of your choice.3.1Ac: Engage in constructive critique with peers, then reflect on, re-engage, revise, and refine works of art and design in response to personal artistic vision. Let the shapes go off the page on at least three sides.Дeliver drawing on one sheet from bond paper sketchbook 18 X 24 inches. Fill the entire surface of your paper, encompassing positive and negative shapes.Д§. Describe both outside edges and internal shapes.Д¦. Draw through the forms as if they were transparent.ДҐ. Keep your drawing implement constantly in contact with the paper.Д¤. Use an unbroken line for the entire drawing.ДЈ. Use an implement that permits a free-flowing line.Дў. Any implement that permits a free-flowing line is appropriate.ДЎ. Vary the weight of the line, pressing harder in those areas where you perceive a heavier weight or a shadow, or where you see the form turning into space, or in those areas of abrupt change in line direction.ДЇelt-tip pens, brush, pen and ink, or pencil are suggested media for continuous line drawing. Let the shapes go off the page on at least three sides. This, too, will insure compositional unity. The resulting composition is made up of large and small related shapes.ДЄgain, as in gesture, try to fill the entire surface of your paper. A continuous, overlapping line drawing has a unified look that comes from the number of enclosed, repeated shapes that naturally occur in the drawing. Not only are outside edges described, internal shapes are also drawn. The line connects forms, bridging spaces between objects. Rather than using multiple lines, you use a single line, however, as in gesture, you draw through the forms as if they were transparent. The completed drawing gives the effect that it could be unwound or unraveled. Once you make contact with the paper (you may begin anywhere: top, bottom, side), you are keeping the line flowing. The numbers are transparent and slightly unintelligible, and the overlapping intersecting lines create shapes independent of the numbers themselves. The numbers are layered, stacked one on top of the other, all sharing the same outer edges. Jasper Johns's charcoal drawing 0 through 9 is an example of this technique. The drawing implement stays in uninterruped contact with the surface of the paper during the entire length of the drawing. The line in a continuous line drawing is unbroken from the beginning to the end.

Continuous contour line drawing